Steal and Remix

So I know Alan objects to us using “stealing” to mean “remixing with the author’s permission”, but it’s something I say quite often, along with things like “can I nick a chip?”, although bizarrely I get mildly irritated when folk want to “borrow” things that they clearly cannot give back, so go figure 😕

Anyway, here’s a little thing that Kevin (@dogtrax) put out in the rhizosphere a few days ago with an invite to remix. I’ve only changed a wee bit, just to work out how the software works.

Music by Kevin and Ron 🙂 Why not “steal” this from me and add your own improvements? Hit “remix” at the end.

 

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Rhizomatic follower of rhizomes

I blame Kevin … and Alan … I knew no good would come of hanging around with dogs, and not cats… Here’s an ode to Dave 😉

[soundcloud url=”https://api.soundcloud.com/tracks/201117570″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Lyrics here

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My perspective on #rhizo15

Monad Chorus

Monad Chorus

There’s been lots of talk about objectives and subjectives in #rhizo15 since Dave set this week’s topic. I played around with words such as subjecting ourselves as subjects and objecting to being treated like objects, but then I gave up and played uke. So rather than setting myself any goals: objective, subjective or whatever, I’m going to think about the perspectives I want to take from this experience.

I started thinking about perspectivism because I am reading Deleuze’s Le Pli (in English) with a F2F reading group. I began writing something here in Fedwiki and it is something that I hope to do more of during the upcoming weeks.  Leibniz’s monads each have their own, unique perspective onto the world. They don’t have any windows (or at least, in our modification, not any that open), and all of their possibilities are contained within themselves, unfolding over time. Deleuze talks about the Baroque and Leibniz, so the illustration accompanying this post is a chorus of monads singing “Hallelujah” to the glory of God.

So: I have a couple of perspectives that I hope to take:

  • a philosophical one, talking to others about some of the writing around D&G
  • a creative and collaborative one – pushing myself to actually make, play and compose songs, pictures and stuff in tune with like minded others
  • a reflective one – to try to understand why I love this process so much.

 

 

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Not so private after all

So here’s a funny thing. On Saturday I blogged about how I only played my uke in private. If you’d asked me about this at the time I’d have been adamant that nobody bar the cats was ever going to hear me play it. Not ever. No siree. End. Of. Story.

But then Kevin mentioned a collaborative recording site, and Ron suggested some collaboration, and before I thought about the consequences of what I was doing I’d tweeted:

Oh dear, what the heck did I just do?  Long story short, this was a lot of fun. Scary, but fun. Read more about it on Kevin’s blog, and listen for yourself.

As Simon commented on my original post, sometimes we have to push ourselves into collaborative activities. So true. I advocate collaborative learning, I should practise doing it more myself.

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Learning in private

I’m not a shy person. Ask anyone who knows me – I can be very fond of blowing my own trumpet. And I enjoy collaborative writing – the stuff we’ve been doing over the last year has been fun, and rewarding, and I’ve learnt a lot. But I don’t always learn by collaboration, and I don’t only learn from collaboration, and often I don’t learn best by collaborating – there are some things I learn best by practising, privately, on my own. So I think this is wrong:

One of the central narratives of rhizomatic learning is the idea that learning is at once a deeply personal, individual process and something that only happens in collaboration with others. We are all different, but we need each other. A practical guide to rhizo15

Here’s why.  I’ve been learning to play the ukelele for the last few years. I’m not very good, but that doesn’t matter because I only play in the privacy of my study. Well, our old cat used to sit and watch me – her favourite song was the Internationale, which I cannot play anything like this:

… but apart from that my uke playing is an entirely solitary, private activity. And I think that practice is making me, well far from perfect, but a bit better than I used to be. I’ve learnt a lot of chords, and some basic strumming and picking techniques, and I can play  a few of my favourite songs. And I have done all of this on my own.  No collaboration. I think a lot of learning is like that.

(Simon makes a related point on his blog)

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Whose rules are they anyway?

Original illustration of the Caucus Race from Alice’s Adventures in Wonderland, by John Tenniel 1865

I’ve been talking a lot in my various social networks, communities, collectives (whatever the heck we are!) about exactly what #rhizo14 was.  Was it a MOOC? A course? A happening? A party?  Who knows.  At the time it all began we talked about falling down the rabbit hole, and a year later there’s a sense that we still don’t know the rules, yet we carry on playing.

That reminds me. Recently I was invited along to a maths games event. I took a couple of friends because we thought it would be fun. It wasn’t, really, but that’s by the by. One of the games on offer was a Mahjong set, but it didn’t have any rules accompanying it. I googled, and discovered there were many different sets of rules – none of which the people playing could be bothered to read. They made up their own set and had a perfectly ok time – although the rules they adopted made it hard to tell when, if ever, either of them had won.

Were they wrong? Do you have to know the rules of a game and abide by them in order to be really playing the game? Arguably not, according to Wittgenstein.  Read Scrabble and see what you think.

John Tenniel`s original (1865) illustration for Lewis Carroll`s “Alice in Wonderland”. Alice sitting between Gryphon and Mock turtle

With #rhizo15 around the corner I feel like the Mock Turtle, by the way, suggesting that it might be fun fun thing to do. Will you? Won’t you?

I’ve been playing around with musical metaphors to describe my experience in #rhizo14 and some other enjoyable experiences. It’s a bit like pogoing to free form jazz.  It can be a lot of fun, but you don’t have to join in.

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Wittgenstein PI

Witt PI I’m so used to abbreviating Wittgenstein’s Philosophical Investigations  to “PI” now that I’d forgotten how funny it used to seem.  Here’s a cartoon that a friend drew for me when we were undergrads together (she gave me permission to publish it wherever I wanted, in perpetuity).

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Perceived objectivity

You’ve probably seen pictures of that dress – is it black and blue, or gold and white, and what does this say about our perceptual experiences?  But enough about that.

There’s another discussion I’ve been having with friends recently, about researcher bias, the need to be transparent about one’s subjective bias when conducting educational research, and not to be arrogant and assume objectivity of one’s own position.

I’ve written elsewhere about perspectivism, the blind men and the elephant, and today a Facebook discussion reminded me of this:

The ideal, as we think of it, is unshakable. You can never get outside it; you must always turn back. There is no outside; outside you cannot breathe.—Where does this idea come from? It is like a pair of glasses on our nose through which we see whatever we look at. It never occurs to us to take them off. Wittgenstein, PI, Section 103

Sometimes we might see the world through rose tinted spectacles, and that will mean we see things one way; other times we might forget to remove our sunglasses before going inside, and then things will look darker than they really are.

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Words can hurt

Mary Magdalene by User:Vassil (File:Sépulcre_Arc-en-Barrois_111008_12.jpg) [CC BY 3.0] via Wikimedia Commons

There’s an old playground saying that we used to bandy around a lot as children:

Sticks and stones can break my bones, but words will never harm me.

I said it a lot to all the bullies who laughed at me for wearing glasses, and reading lots of books, and hating Barbies, and sport, and bullies, but I never believed it.  Unkind words can hurt me far more deeply, and more permanently, than mere physical things.  So here’s my version:

Sticks and stones only break my bones, but words can really wound me.

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What’s the point of ethics?

Hippocrates, by Rubens.  Image in the public domain

Hippocrates, by Rubens. Image in the public domain

It’s a frequent misconception that the Hippocratic Oath contains the phrase “do no harm”, and that means that doctors can’t do anything that might hurt their patients. But it doesn’t,  and sometimes they have to.  Primarily the thrust of the Hippocratic Oath, of medical ethics, is not about not hurting patients, but about caring for them.  I searched for a modern version of the Hipppocratic Oath, and  found this from the BMJ: Swearing to care: the resurgence in medical oaths.  Exactly: care, not lack of harm is the relevant focus of the modern declaration.

The WMA Declaration of Geneva (the modern equivalent of the Hippocratic Oath), quoted in the above article, states that:

I will practice my profession with conscience and dignity;

The health of those in my care will be my first consideration;

Yes.  Sometimes doctors have to do things that hurt their patients in order to care for them, things that under other circumstances would be considered to be assault.  Take my sister, for example.  Last Friday she had her jaw broken by medics.  Under certain circumstances this would be deemed to be assault, but in this case it was a necessary medical intervention in order to realign her jaw – pain now in order for there to be less pain later.

There’s two things here: first, there’s the question of what makes some actions assault, and others treatment (and some acts rape, and others sex; and some acts murder, and others mercy killing, and so forth); second, there’s the question of how to justify when harm is necessary in the present in order for some future good.

The answer to the first question will have to do with consent – what the wonderful Dudley Knowles used to call the “magic ingredient” in his lectures on social contract.

Scales from Pixabay

Scales from Pixabay

The second will be a matter of balance and judgment, and this is where it makes a difference how you view ethics. I think that sometimes codes of ethics are used by institutions and professional bodies as a way of abdicating responsibility (by being explicit about how they will not harm stakeholders they implicitly limit the scope of their ethical duties). I also think that at other times ethics are used by some to claim a supposed moral high ground from whence they can throw stones at those they deem to be failing some ethical code (usually one they pull out of their hat as if by magic).  However, sometimes we use ethics in order to determine what ought to be the case, and then it matters which normative theory is in play.

I taught nurses about ethics years ago, and tried to give some relevance to the bare bones of the Kantian and Consequentialist ethics I was required to teach them about, and I still remember a conversation with a consultant who told me that he saw medics’ decision making as a constant conversation between kantian and utilitarian ethical positions, and he thought that was good, because it stopped them from thinking that they always knew the right thing to do.  I think that’s a good attitude, for two reasons : first I think (as I tell my current philosophy students when I teach them normative and practical ethics) that the limitations and problems with consequentialism make me reach for duty ethics and vice versa; and second I acknowledge the fact that I can be wrong, and stopping to think things through can stop me from making the wrong judgment.

Aristotle  Copy of bust by Lysippus (Jastrow (2006)) [Public domain], via Wikimedia Commons

Aristotle Copy of bust by Lysippus (Jastrow (2006)) [Public domain], via Wikimedia Commons

But there’s another theory of ethics that we can use if we remember to – Aristotelian, or Virtue Ethics. For Aristotle a virtue is the mean between two extremes, and it takes education and practice to become an ethical person.  This is an ethics of care – it is not an abstract judging of the right, or rational thing to do, but it is an embodied practical judgement about the good thing to do.

So, when you find somebody doing, or saying, something that you think is mean spirited, or misguided, or just plain wrong, the caring, ethical way is not to shout out to the world that you are better than they, but to quietly, gently,  do as you would have them do, and hope that they notice.  However, as Freire says:

It is one thing to write down concepts in books, but it is another to embody them in praxis. ~ Paulo Freire

There’s an analogy to education here, but that’s a topic for another post.

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