Giffing around

I’m really enjoying making gifs at the moment. Today I’ve been messing around with Giphy and my little frog jester that I drew for #NetNarr.

First I scanned my drawing to my PC and cropped it, then I used a combination of PPT and Paint to screen grab the image into three different places on screen. Then I used Giphy.com to make a slideshow and played around with the decoration options to add text and choose the backgrounds. Here’s a couple of results.

Posted in DS106, NetNarr, Photos | Tagged , , | 1 Comment

N+7 Poem

Today’s Daily Create challenge is to:

Write a poem using the N+7 form, conceived of by the French poets of the Oulipo movement. Choose a text, such as Elizabeth Bishop’s “One Art,” and replace each noun in that text with the noun occurring seven entries below it in your dictionary. Next, try the exercise with one of your own poems. For more on the poets of the Oulipo, try this.

So, here’s a stanza of a collaborative sestina I wrote a while back:

Rhizomatic learning is very subjective.
It’s up to you, not up to Dave, what gets to count.
The important thing is not to worry, but be content
to mess around, mix it up – play
around. Be warned – rhizomatic learning can be invasive
and you might find it affects your regular practice

Here’s a handy N+ generator, and here’s the result:

Rhizomatic lecture is very subjective.
It’s up to you, not up to Dave, what gets to countermand.
The important thistle is not to wrapper, but be contingency
to metallurgist around, mob it up – play
around. Be warned – rhizomatic lecture can be invasive
and you might find it affirmations your rein prankster

Which gives a nice nod to #netnarr

Posted in DailyCreate, DS106, Poetry | Tagged , , , , | 2 Comments

One Trick Pony

I always feel the pressure is on a bit when it’s a Daily Create that I suggested – you’d think I’d have an idea about what to create when I submitted it, but I rarely do. So today, I’ve been thinking about what to do:

Nobody wants to be thought of as a one trick pony. But if you had a one trick pony, what would that trick be? Draw it, sing it, write about it.

In the end I decided to draw a pony head, turn it into a unicorn and make it into a Gif – I’m moderately pleased with the result.

So that’s my one trick pony’s trick – at a whim it transforms into a beautiful unicorn.

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NetNarr DDA 132

Haggis

It’s Burns Night this week, so for yesterday’s DDA (which I am doing late) I chose Robbie Burns’ Address to a Haggis, translated it into Portguese, then into Bulgarian, and then into English. Here’s the result:

Hagis Address
Honestly, your honest face,
Great boss of pudding running!
Abon them “Take your place,
Pain, envelopes or trauma:
Weale is worthy of grace
Like my ling is like lang.

The drift that moaned there,
Her strikes are like a distant hill,
His fist helped repair a mill
Over time, you need this,
While your pores are distilling them
Like the amber sphere.

His knife sees the peasant work,
Cut yourself ready,
By pulling his gut,
Like a ditch;
And then, what a glorious sight,
Stick-rick, rich!

After this horn of horn, they stretch effort:
Dale takes his ass, drives,
Even his “swel’d kytes belyve”
They are folded like drums;
Aldd Gidman, the master loves the roar,
“Betancity” rages.

There must be a French ranch,
Or there was a walnut,
Or the friction rotation made him throw away
Wi Scunner perfect,
Look down with contemptuous eyesight
Dinner?

Poor devil! see it, I owe it to you,
Like a rash,
His spindle produces whiplash,
His snow to the rim;
Because a bloody flood or an escape,
How wrong!

But highlight the peasant, haggis-fed,
The shaking land sounded on the floor,
A crack in his beard, he carried a blade,
He will do it alone;
The legs of the hand, the heads will fall,
Like thorn cranes.

Pow’rs to worry about humanity,
And lock them out of the bill or odds,
Old Scotland wants to wander
Which games in the trunk:
But if you wish your grateful prayer,
Take Haggis

And here’s the original:

Address to a Haggis
Fair fa’ your honest, sonsie face,
Great chieftain o the puddin’-race!
Aboon them a’ ye tak your place,
Painch, tripe, or thairm:
Weel are ye worthy o’ a grace
As lang’s my arm.

The groaning trencher there ye fill,
Your hurdies like a distant hill,
Your pin wad help to mend a mill
In time o need,
While thro your pores the dews distil
Like amber bead.

His knife see rustic Labour dight,
An cut you up wi ready slight,
Trenching your gushing entrails bright,
Like onie ditch;
And then, O what a glorious sight,
Warm-reekin, rich!

Then, horn for horn, they stretch an strive:
Deil tak the hindmost, on they drive,
Till a’ their weel-swall’d kytes belyve
Are bent like drums;
The auld Guidman, maist like to rive,
‘Bethankit’ hums.

Is there that owre his French ragout,
Or olio that wad staw a sow,
Or fricassee wad mak her spew
Wi perfect scunner,
Looks down wi sneering, scornfu view
On sic a dinner?

Poor devil! see him owre his trash,
As feckless as a wither’d rash,
His spindle shank a guid whip-lash,
His nieve a nit;
Thro bloody flood or field to dash,
O how unfit!

But mark the Rustic, haggis-fed,
The trembling earth resounds his tread,
Clap in his walie nieve a blade,
He’ll make it whissle;
An legs an arms, an heads will sned,
Like taps o thrissle.

Ye Pow’rs, wha mak mankind your care,
And dish them out their bill o fare,
Auld Scotland wants nae skinking ware
That jaups in luggies:
But, if ye wish her gratefu prayer,
Gie her a Haggis

Posted in Scotland | Tagged , , , | 2 Comments

Free as a bird

I wanted to make a gif today. I’d been reading about how to do this in GIMP, and a cold, damp Saturday seemed like the perfect day to experiment. So I doodled a little bird and scanned it to my computer so I could get two identical images. Then I drew a set of wings on each and coloured them both in.

 

 

 

 

After that I scanned them both back to my PC, cropped them in Paint, and opened them both in GIMP as layers. It was then easy to export the result as a .gif by changing the extension and there it is – one little bird flapping its wings.

Posted in #CLMOOC | Tagged , , , | 1 Comment

Buttons

 

I love buttons. This is the contents of my button tin, tipped out onto one of my favourite trays. I’ve been collecting these buttons for as long as I can remember – some were handed down by great grandmothers, some were spare buttons from clothes long gone, others (like the frogs, ducks and butterflies) bought online because they caught my fancy. In the middle of the picture are three silver buttons with stars – spares from my wedding dress which I made myself five years ago. When I was a child, I used to tip out my buttons on to one of mum’s trays and sift through them looking for my favourites – a starfish, some that look like a robot face, others I think are pretty.

Buttons

And then some ugly ones – big, brown monstrosities – who would choose these?

Buttons

So many memories contained in one small tin. Perfect.

Posted in #CLMOOC, Misc, Photos | Tagged , , | 3 Comments

Zapp Map

Imagine you’d be making a trip of more than 15 years long. Get your babies on the way, each in a different continent. And do all that driving a 90 year old car. TDC2187

If I had the time, I’d take a trip around the world and meet all of the DS106 and CLMooc folk . First the UK and Europe

Then down to Australia and New Zealand (and also to the Philippines, to see a rhizo pal)

Up to South America, especially Guyana to meet Len

And last, but my no means least, to the US and Canada to meet so many folk.

Meantime I’ll make do with my globe and all the ways we connect.

Posted in #CLMOOC, DailyCreate, DS106, MOOC | Tagged , , , | 6 Comments

Cargo Cults

Giraffe Witch Doctor

Arthur C. Clarke’s Third Law states that “any sufficiently advanced technology is indistinguishable from magic”. I think that’s probably true of many things and not just limited to technology – that many things that others do look like magic from the outside. And if this is so, then there’s a lot of important lessons to be learnt by those of us who are interested on how folk learn, and how we teach. Here’s a couple that spring to mind.

First, if all we do is look at an end product without having an awareness of the underlying process, it’s easy to assume that others are creative geniuses who can effortlessly manipulate images, write poetry, compose songs, draw wonderful pictures … and so on. But, of course, as Edison probably didn’t say, genius is 1% inspiration and 99% perspiration – there’s a lot of hard work going on in the background that is invisible if all you see is the end product and not the processes of creation. Of course, some people are more talented than others, and sometimes what we are doing is so engaging that it doesn’t feel like hard work, but as they say where I grew up – you don’t get owt for nowt –  you have to put in time and effort to get results.  This ought to be obvious – but often it gets forgotten. And this is unfortunate, because if you think others do things easily that you find hard, the temptation might be to give up without trying – and there’s obvious implications for formal learning from this. One that particularly annoys me is the folk who assert that they are bad at maths, when really they are just not willing to try. Of course mathematical ability like musical ability, takes practice.

Second, if you just look at the outputs of a particular model of learning without understanding its underlying principles, there’s a risk that if you try to copy it you’ll get it badly wrong – and one way of explaining why this happens is to suggest that it’s happening because you are practicing ‘cargo cult science’, and mimicking the wrong parts of the process. In particular, if you don’t understand that any good model of learning in underpinned by sound pedagogical principles (whether those designing the model are aware of these or not), then you will probably not know which parts of the design should be copied and why, and you risk copying ritualistic behaviour and missing the features intrinsic to authentic learning. Let me try to explain what I mean.

Cargo cult science‘ is a perjorative term used by Richard Feynman in 1974 in order to describe an approach to education which, I think, is as common now as it was when Feynman first described it:

I found things that even more people believe, such as that we have some knowledge of how to educate. There are big schools of reading methods and mathematics methods, and so forth, but if you notice, you’ll see the reading scores keep going down–or hardly going up–in spite of the fact that we continually use these same people to improve the methods. There’s a witch doctor remedy that doesn’t work. [This is an] example of what I would like to call cargo cult science.

So, what is cargo cult science and why is it so problematic? Well, a ‘cargo cult’ happens when one culture observes the practices of a more technologically advanced culture, wants to get hold of those technologies, and so mimics those practices in the belief that this is how they can also get these ‘magical’ technologies. For example, during WW2 the Allies set up temporary bases on Pacific islands. Islanders observed what they perceived to be ritualistic behaviours, such as marching around with rifles, and concluded that the soldiers were practicing religious rituals which summoned up western goods (cargo). After the Allies left, the islanders tried practicing the military behaviour they’d seen in the belief that by performing what they believed to be religious rituals, the western cargo would appear. Of course, it didn’t.

Let’s consider a recent example of this. In 2008, Stephen Downes and George Siemens developed a course that was opened out beyond the 25 campus based students – the original MOOC. MOOCs like this, with an emphasis on connections and interactions, are often called cMOOCS.

In 2011, two Stanford educators, Peter Norvig and Sebastien Thrun, developed an online course and offered it out for free enrolment. Other courses followed. These xMOOCs, as they were labelled, superficially resembled the earlier cMOOCs, but I suggest that they are, in fact, an example of cargo cult science. Despite Thrun’s audacious claim that xMOOCs were going to change HE forever, and that in 50 years there might only be 10 institutions in the world delivering HE, xMOOCs are turning out not to be the force for change that some thought.

So why might this be? Well, this post is already too long, and I want to post it before 2017 ends, so I’ll just quickly sketch my argument. I’d suggest that in trying to emulate the original MOOCs, the educators did not pay attention to the underlying principles of connectivism and connected learning, and so the rich, authentic learning experiences that happen in cMOOCs such as CLMooc, and connected practices such as DS106, are not carried over to the xMOOCs.

Now, don’t get me wrong – there’s nothing inherently wrong with institutions and companies offering free courses to anybody who wants to sign up for them (although actually there might be concerns, and I’ll return to this in a future post), but the only thing that the earlier cMOOCs share with the later xMOOCs is the name.

xMOOCs focus on delivering content – typically by giving learners videos to watch. But this style of delivery is not well suited to any of our best theories of learning because it treats learners as consumers. If, when you focus on the earlier MOOCs and see how you can mimic them, you look at how learning can be delivered to a massive audience for free, then using pre-recorded videos and online quizzes is an answer. But this cargo cult version of a MOOC is a pale shadow of the original.

I think that HE can learn a lot from cMOOCs, but massification and the delivery of online learning for next to no cost are not lessons that are worth learning.

Giraffe Witch Doctor” flickr photo by CrazyUncleJoe  shared under a Creative Commons (BY-NC-ND) license

Posted in #CLMOOC, Capitalism, Critical pedagogy, DS106, Learning, MOOC, Online learning, Peer interaction, PhD, Rhizomes, Social Media, Teaching, Technology, University | Tagged , , , , , | 6 Comments

Hope

Twitter dove

Twitter gets a lot of bad press, for many reasons. But, for me, it’s a place I find like-minded friends who are generous, caring and creative. So today’s #DecDoodle is a Twitter dove with an olive branch – symbolising my hope that 2018 will continue to be a time of sharing, making and of love.

Posted in #CLMOOC, DailyCreate, DS106, Learning, Love, MOOC, Online learning, Peer interaction, PhD | Tagged , , , , , | Leave a comment

Creative Playfulness and Convivial Interactions

I’m giving a paper at the SocMedHE conference at Sheffield Hallam this Tuesday called Creative Playfulness and Convivial Interactions in a Participatory Culture: recent findings and implications for Higher Education. It’s based on some of the findings from my PhD research on CLMoooc, and I’m suggesting that CLMooc is better thought of as an affinity space than as a community, as it’s the things that we do that bring us together.

I think that the best way to describe CLMooc is to show the audience some of the many collaborations that have happened over the years. I’ve got some ideas, but I’d like to ask all of you what, of all the stuff that’s happened, you think I should be talking about. So I’ve set up a Google Doc and I’m hoping you’ll share some ideas with me. Here’s the link.

Posted in #CLMOOC, Learning, MOOC, Online learning, Peer interaction, PhD, Social Media, Teaching, University | Tagged , , , , | 17 Comments